{"id":2683,"date":"2025-05-16T07:16:35","date_gmt":"2025-05-16T05:16:35","guid":{"rendered":"https:\/\/fundacioncabreracanto.com\/fernando-cabrera\/"},"modified":"2025-10-13T20:29:24","modified_gmt":"2025-10-13T18:29:24","slug":"fernando-cabrera","status":"publish","type":"page","link":"https:\/\/fundacioncabreracanto.com\/val\/fernando-cabrera\/","title":{"rendered":"Fernando Cabrera"},"content":{"rendered":"\t\t
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Fernando Cabrera Cant\u00f3: una vida dedicada a l\u2019art, la cultura i la seua ciutat<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Biografia<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Formaci\u00f3, estil i evoluci\u00f3 <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Nascut a Alcoi en 1866. Pintor, dibuixant i aquarel\u00b7lista, figura clau de l\u2019escola pict\u00f2rica alcoiana entre els segles XIX i XX. <\/p>

Format inicialment a l\u2019Escola de Sant Carles de Val\u00e8ncia, amb Lorenzo Casanova a Alcoi i a l\u2019Escola de San Fernando de Madrid amb Casto Plasencia, va ampliar els seus estudis a It\u00e0lia gr\u00e0cies a una beca de la Diputaci\u00f3 d\u2019Alacant concedida el 1891.<\/p>

La seua obra italiana, amb domini del \u201csfumato\u201d i influ\u00efda per Fortuny, combina en el seu retorn el realisme acad\u00e8mic amb una sensibilitat social pr\u00f2pia de l\u2019\u00e8poca, fins a desembocar en una llibertat de pinzell que el convertix en el pintor luminista de la muntanya alcoiana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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G\u00e8neres tractats <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Pr\u00f2xim al modernisme, des del principi de la seua traject\u00f2ria com a artista a finals del segle XIX, va conrear una gran varietat de g\u00e8neres:<\/p>

\u2013 Paisatges
\u2013 Retrats<\/p>

\u2013 Autoretrat
\u2013 Natura morta<\/p>

\u2013 Flors
\u2013 Escenes costumistes<\/p>

\u2013 Tipus populars
\u2013 Interiors<\/p>

\u2013 Realisme social
\u2013 Religi\u00f3s<\/p>

\u2013 Nu
\u2013 Simbolisme<\/p>

Tots ells amb igual domini t\u00e8cnic i expressiu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Reconeixements <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Va obtindre nombrosos reconeixements, com les medalles de plata en les Exposicions Nacionals de 1890 i 1892 per \u201cHu\u00e9rfanos\u201d i \u201cTierra\u201d, i la d\u2019or en 1906 per \u201cAl abismo\u201d.<\/p>

El seu \u00e8xit internacional tamb\u00e9 va ser reconegut amb la medalla de bronze en l\u2019Exposici\u00f3 Universal de Par\u00eds de 1900 per \u201cMors in vita\u201d i amb la medalla d\u2019or en l\u2019Exposici\u00f3 de San Francisco de 1915 per \u201cEl santo del abuelo\u201d.<\/p>

La ciutat d\u2019Alcoi i la prov\u00edncia d\u2019Alacant van recon\u00e9ixer els seus m\u00e8rits nomenant-lo, en 1926, Fill Preclar de la Prov\u00edncia d\u2019Alacant per la Diputaci\u00f3, Fill Adoptiu per l\u2019Ajuntament d\u2019Alacant i Fill Predilecte per la ciutat d\u2019Alcoi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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El seu vincle amb Alcoi <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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A difer\u00e8ncia d\u2019altres artistes de la seua \u00e8poca, despr\u00e9s dels seus per\u00edodes de formaci\u00f3 finalitzats en 1894, va fixar la seua resid\u00e8ncia definitiva a Alcoi.<\/p>

Va ser catedr\u00e0tic de dibuix a l\u2019Escola d\u2019Arts i Oficis d\u2019Alcoi, impulsor de joves artistes i va exercir un paper clau en la vida cultural de la ciutat com a assessor art\u00edstic en diverses entitats.<\/p>

Va ser president de l\u2019Associaci\u00f3 de Sant Jordi, del Cercle Industrial i de la Societat de Concerts, dissenyador de vestits festius i col\u00b7laborador habitual en obres modernistes al costat de l\u2019arquitecte Vicent Pascual.<\/p>

El seu estudi a la Casa del Pav\u00f3, edifici que ell mateix va ajudar a dissenyar, es va convertir en un espai cultural de refer\u00e8ncia, on se celebraven concerts, recitals, classes i trobades art\u00edstiques.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tFES-TE AMIC<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\tJunts, fem possible que l\u2019obra de Fernando Cabrera Cant\u00f3 continue viva i accessible per a tots.\n\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Fernando Cabrera Cant\u00f3: una vida dedicada a l\u2019art, la cultura i la seua ciutat Biografia Formaci\u00f3, estil i evoluci\u00f3 Nascut a Alcoi en 1866. Pintor, dibuixant i aquarel\u00b7lista, figura clau de l\u2019escola pict\u00f2rica alcoiana entre els segles XIX i XX. Format inicialment a l\u2019Escola de Sant Carles de Val\u00e8ncia, amb Lorenzo Casanova a Alcoi i […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"give_campaign_id":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"disabled","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2683","page","type-page","status-publish","hentry"],"campaignId":"","_links":{"self":[{"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/pages\/2683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/comments?post=2683"}],"version-history":[{"count":0,"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/pages\/2683\/revisions"}],"wp:attachment":[{"href":"https:\/\/fundacioncabreracanto.com\/val\/wp-json\/wp\/v2\/media?parent=2683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}